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Theoretical and attitudinal changes towards ceramic discourse and practice , brought about changes on how I view my materials. Thus, clay,glaze,air,water, and fire,from materials which co-existed in the production of a ceramic object, became separate entities, each one with its own character, qualities and language. Co-existence was of no importance. This 'new' Ceramics language code, released other aesthetic events,gestural acts,and conceptual and experimentational realizations or proposals.

 

The work

 

1.”PROTO-PAINTINGS”

Gestural imprints of clay,metal oxides,water and fire on paper and wood, which I consider a paradigm for/of ceramic paintings

 

2.VARIOUS OBJECTS /SCULPTURES, INSTALLATIONS ,PERFORMANCES , PUBLIC INTERVENTIONS which dwell between the ephemeral and the mundane .