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pottery courses in greece, short pottery courses in europe, pottery throwing courses in europe

“What concerns me is to pay attention to the unseen 'insignificant' and uneventful”

 

Theoretical and attitudinal changes towards ceramic discourse and practice , brought about changes on how I view my materials. Thus, clay,glaze,air,water, and fire,from materials which co-existed in the production of a ceramic object, became separate entities, each one with its own character, qualities and language. Co-existence was of no importance. This 'new' Ceramics language code, released other aesthetic events, gestural acts and conceptual and experimentational realizations or proposals.

 

The work

 

1.”PROTO-PAINTINGS”

Gestural imprints of clay, metal oxides, water and fire on paper, plywood and ceramic fiber paper which I consider a paradigm for/of ceramic paintings

 

2.VARIOUS OBJECTS /SCULPTURES, INSTALLATIONS ,PERFORMANCES , PUBLIC INTERVENTIONS which lie between the ephemeral and the uneventful .

 

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